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![]() ![]() TPAB Contributions: production on “Wesley’s Theory” And what’s compelling beneath the surface of To Pimp A Butterfly is that even with some of the hitmakers and marquee names involved (Pharrell, Boi 1-da, Lalah Hathaway, James Fauntleroy, Ron Isley) and a collection of peerless soul/jazz/hip-hop polyglots like keyboardist Robert Glasper and saxophonist Kamasi Washington directing the album’s post-Soulquarian feel, there are cohorts on this record that reveal just as much about Kendrick’s approach with their very presence as his actual lyrics do. ![]() In a case like this, where the followup to a career-defining blockbuster work of art can be a downhill-sloping minefield, figuring out a compatible selection of collaborators is more crucial than ever. ![]() It’s like he stepped back from his world-beater napalm verse on “Control” and started questioning how far that fury could get him. Kendrick writes and raps like he’s trying to figure out how to harness that weight, how to square the last few years of his recent life with the first twenty or so that made him who he is, how to represent himself and his home and his community without turning that representation into a distortion or a corruption of everyone involved. Kendrick’s focus on working his post-fame nerves from every angle - self-awareness, self-doubt, self-centeredness, self-love - pushes back against the ego-trip narrative so often placed on artists who are realizing the growing rush of fame and power. Even after less than a week’s worth of impressions, To Pimp A Butterfly leaves a distinct impression: Kendrick Lamar needs a lot of collaborators to help him figure out who has his back. ![]() ![]() ![]() The fact that the game has come to us without any censorship allows us to live experiences that are difficult to find in any Western title, even reaching the most traditional of sequences with tentacles and students.Īll this is presented with a look in full anime style, with girls in school uniform (or dressed in one of the many costumes that can be unlocked or purchased as DLC) with expressive eyes and characterized with an obsessive attention to detail. The best thing is that, just as it already happened with the first episode, Gal * Gun is never ashamed of who he is, thus managing to always be fun and carefree. ![]() This simple incipit is enough to justify the crazy events that happen during the game, designed specifically to represent embarrassing situations on the screen in all the alluring perversion of the Japanese school universe. The boy in question will have to declare himself to the girl he loves by evening, or he will forever lose the opportunity to be loved. It all stems from the mistake of a cupid in anime gal version, who hits the protagonist with an overly loaded shot of his gun (the bow and arrows are outdated), thus transforming him into the object of desire of all the girls who happen to him. The difference is that instead of taking down hordes of zombies or entire terrorist squads, in this case we have to stuff the entire female audience of a school, from students to teachers, with pheromones. Gameplay at hand Gal * Gun is nothing surprising, as it is nothing more than a Virtua Cop and House of the Dead-style platform shooter. Thanks to the efforts of the distributor pQube, in fact, European players who own a PlayStation 4 or a PlayStation Vita can enjoy a crazy game like Gal * Gun: Double Peace, a sequel to that Gal * Gun released a few years ago on PlayStation 3 and never made it to the West. However, miracles happen every now and then. The same happened with the latest Fire Emblem for 3DS, albeit to a lesser extent.īy entering this special mode it is possible to focus on a single girl for a more ‘in-depth’ treatment. Many of you will remember the case of Tokyo Mirage, an RPG for Nintendo Wii U that came to us only after going through a heavy work of adaptation that literally upset the original work. In some cases the dialogues are altered, in others the arrival of certain costumes or DLC is precluded, in still others whole parts of the experience are cut off, considered incompatible with the values of the companies in which the title must land. When this happens, in most cases the original works are more or less sweetened by going through a painstaking censorship. A lot of crazy Japanese games come out, but few of them manage to get out of Japanese borders to tease Western fans. ![]() ![]() The monster, very powerful, defeats all the warriors that come against him, until Tapion starts playing his ocarina again, trying to imprison Hildegarn and save the Earth□ and the Universe. However, the room doesn't work well since when the lower part is too close, the upper part presses to get free and in doing so it takes over and attacks the city once recomposed in its unit. The woman then decides to build a room with the same characteristics of the music box, so as to allow Tapion to sleep without risks. Here he reveals to Bulma that if he fell asleep the part of Hildegarn locked up in him would be freed, while the lower part destroys the city under the watchful eye of Hoy. After escaping and isolating himself, Tapion strikes up a friendship with Trunks, who invites him to his home. Tapion is freed, thus also causing the return of Hildegarn. ![]() Hoy, on Earth, with deception convinces Son Goku and his companions to find the spheres to free Tapion□ from the music box (evidently more powerful than his brother's, indestructible) using the Earth Dragon Spheres and expressing the wish to break the music box. Dragon Ball Z: The Hero of Planet ConutsĪfter a thousand years, Hoy manages to find Minosia's music box and the lower part of Hildegarn gets free, crushing Minosia and killing him. To prevent the sorcerers, creators of the monster, from finding them and trying to free Hildegarn, the two brother heroes had themselves sealed in two music boxes and sent to two opposite galaxies, Tapion ended up right on Earth. While the two of them were playing with their special ocarinas a beautiful and powerful melody, a priest cut the demon into two parts, following the magical music of the ocarinas, the upper part of Hildegarn was sealed into Tapion, while the lower part into Minosia's body. For a millennium he held the upper half of the □demon-god of Conuts in himself, remaining sealed in the music box, when it was destroyed he could no longer sleep to prevent the monster from escaping.Ībout 1000 years before the main story, Tapion, along with his younger brother Minosia, defeated the monster called Hildegarn, thus saving his planet Conuts. He plays an ocarina with which he is able to placate Hildegarn (even in full form) and imprison him (at least for a few seconds) in his body at the cost of all his energy. He is not very strong in combat, but he has supernatural powers and, according to Goku at the time of his release, he also has an impressive aura. Besides being an expert swordsman, he is also a skilled musician. Tapion is the strongest warrior on his planet□. He is brave and willing to die in order to eliminate Hildegarn. The lack of his brother, however, makes him get closer to Trunks for whom he feels affection. What happened to his people has made him hostile to everyone. Tapion proves to be a very introverted being. ![]() He is a lonely figure, on whose shoulders rests the fate of his entire planet, and for this reason he looks very much like Trunks of the Future. ![]() He carries a sword and an ocarina with him at all times. Tapion is a warrior who looks very much like a Kaiohshin the Superior, except that he is taller and his face is white instead of purple and his hair is red instead of white. Tapion (タピオン Tapion) is a character who only appears in the movie Dragon Ball Z: The Hero of Planet Conuts, in which he is a warrior imprisoned in a music box along with the dangerous monster□ Hildegarn. ![]() |
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